Library

THE GUIDE MOVES A LITTLE, STANDING AT THE ENTRANCE TO THE LIBRARY (BUT NOT YET LETTING VISITORS IN)

Approximately 9,000 of the almost 15,000 portfolios received over 20 years are kept in this, for us, magical place. 6,000 of these, in fact, are kept in another space with the oversized projects.

LA GUIDA ENTRA NELLA LIBRARY PRENDE IL TELECOMANDO (IN INGRESSO) PER REGOLARE IL VOLUME DEL VIDEO MAPPING E SI POSIZIONA AL CENTRO DEL BANCONE E FA DEFLUIRE ( TIPO HOSTESS DI VOLO) I VISITATORI A DX E SX:

For us, the LIBRARY represents the temple of design, celebrating thought taking shape through a creative process that materialises in paper, textile or digital medium.

Each project is housed in a case, you are literally surrounded by them. On each one is a barcode that allows us to recognise them through a database in which their location is also indicated. A soon-to-be-available app will allow you to independently access much more information about the archive.

But what is a PORTFOLIO?

A portfolio represents the bridge between the artist's idea and the materialisation of this idea. Through a portfolio, we are able to discover how each artist has interpreted his or her concept of creativity by transforming an idea into something material.

Now take a look at the centre glass cabinet where you will find a video where we show you how a portfolio is structured. Normally a portfolio is created following 5 steps:

  1. 1. the idea or concept:

the artist always starts from an idea, a concept they want to express. This concept has to be written down, to get it out of their mind and onto paper.

2. the research: which represents the path of elaboration and deepening of that idea, that concept; the artist goes in search of images, visual references that illustrate the initial idea, whatever is of inspiration connected to the concept in order to start visualising colours, techniques and shapes.

3. the development diary: all this "creative material" collected is developed and arranged in the manner the artist deems most suitable: photos, poems, books, images and so on are coherently assembled in a moodboard, a blackboard of inspiration 4. the sketches: in this phase the creative starts to put the pieces together, through drawing (whether by hand or computer) and elaborate everything that has been collected in their diary to develop the initial idea, as it begins to materialise.

All these phases, however, can be interchangeable, can intersect and contaminate each other. You have to think that we are always in the field of a creative process that has no barriers or limits. 5. materials: the final part begins, the more physical part, being the choice of materials, of fabrics, and we begin to understand what the final object will look like and how it will be made.

In the final part of the process the collection or individual object is completed and produced, it is often contextualised within their world, their imagination, through a photo shoot that completes and enhances its characteristics.

As you can guess from what we have told you, a portfolio is much more than just paper and fabric. A portfolio is the testimony of a path, of the passion and hard work required to tackle it in search of new perspectives of beauty. Some of these creatives from these projects have built careers, translating their passion into work.

Look around, you are surrounded by portfolios. You find them:

(SHOWING EACH TIME)

  • in niches
  • in display cases
  • filed in cases
  • digitally narrated in a book.

(THE GUIDE MOVES TOWARDS THE DIGITAL BOOK AND INVITES VISITORS TO GATHER TO BEGIN THE STORY OF THE DIGITISED PORTFOLIO)

...this is the digitisation of a portfolio, containing the project of Tomohiro Sato, fashion finalist in 2013. This mode allows you to enter Tomohiro's imagination through a fantasy and dreamlike sensory experience, aimed at stimulating your creativity.

THE GUIDE STARTS THE STORY AS GUIDE OPENS THE FIRST PAGE. FOLLOWS THE SECOND AND THIRD (dark pages) CONTINUING THE NARRATION. AFTER WHICH GUIDE INVITES A VISITOR TO CONTINUE TURNING PAGES AS GUIDE TURNS TO THE VIDEO MAPPING CONTINUING THE NARRATIVE UNTIL HE/SHE SEES THE CLOSING OF A PORTFOLIO ON THE VIDEO MAPPING.

(story 1 portfolio opening and closing 3'40 "approx.)

As you can see, there are all the development phases we mentioned earlier, starting with the concept:

Tomohiro Sato

THE GUIDE DRAWS THE VISITORS' ATTENTION TO THE OPPOSITE WALL.

Now turn towards the opposite side of the Library: you will see projected a video-mapping in which you are accompanied inside a portfolio, or rather inside 3 portfolios, through the voice of Barbara Franchin, President and founder of ITS, who flicking through the portfolios tells you about them. Let's get closer.

THE GUIDE INVITES VISITORS TO MOVE TOWARDS THE VIDEO MAPPING AND LISTEN TO THE NARRATION OF A PORTFOLIO AFTER TURNING UP THE VOLUME. AT THE END OF THE NARRATION HE LOWERS THE VOLUME AGAIN.

At the end of each story, you will see the portfolio close and magically re-enter its place on the shelf, while the next one comes out and opens to tell a new story. Beautiful, isn't it?

To conclude our journey through the Library, we have displayed a selection of portfolios inside the showcases to show you the more material side of them, developed and finished by the artist.

LA GUIDA RACCONTA 2/3 PORTFOLIO ESPOSTI:

We start with Yoshikazu Yamagata who is on the right of the central board.

2004 Yoshikazu Yamagata

On the left you will find Ek Thongprasert

2007 EK THONGPRASERT

Finally, in the centre you can see the portfolio of Aharon Israel Genish

2020 Aharon Israel Genish

As you can see, languages are extremely diverse

THE GUIDE LEAVES SOME TIME FOR THE VISITORS TO TAKE A CLOSER LOOK AT THE EXHIBITED PORTFOLIOS OR FOR ANY QUESTIONS AND THEN INVITES THE VISITORS TO COME OUT AND STAND IN FRONT OF THE CURATOR'S VIDEO.

THE GUIDE MUST REMEMBER TO PUT THE REMOTE CONTROL BACK IN ITS PREDEFINED PLACE

2020 Rei Sato, Yumi Tanabe

Inside Out/ L'interno fuori

2020 Shiori Mizuoki, Hiroki Okamoto

Colour Chaser / Il cacciatore di colori

2019 Giovanni Pacienza

Arberia

2012 Momoko Okusa

MÀSCARA CONTRA MÀSCARA

2020 Rafaela Pestritu

My granny is a hacker / Mia nonna è un hacker

2010 David Longshaw

Escaping Emily / In fuga da Emily

2009 Letizia Vicenzi

Opening - Closing /
Aprire - chiudere

2003 Fabrizio Talia

A Sort of Fairy Tale / Un sorta di favola

2020 Alice Piscedda

Briseadh

2013 Takahiro Ueno

It's better to burn out than to fade away /
E' meglio bruciare in fretta che spegnersi lentamente

2014 Hiroki Kataoka

The soul of a boy / L'animo di un bambino

2006 Matthieu Blazy

Untitled / Senza Titolo

2006 Heaven Tanudiredja

Trapped in a gold portrait / Intrappolato in un ritratto dorato

2007 Yael Ben Ari

Berta

2005 Momoko Hashigami

Returning to myself / Ritorno a me stessa

2015 Yuko Koike

Blooming flowers of japanese painting /
Fiori che sbocciano nei dipinti giapponesi

2006 Joan Tarragò Pampalona, Karen Scholz

Tripscils / Matite da viaggio

2015 Shay Tako

In the beginning / In principio